Spring Edition · Made in small batches

Quiet things,
honestly made.

A small studio for slow-made clothing, everyday accessories and wheel-thrown ceramics — naturally dyed, finished by hand, and built to keep for a very long time.

Shop the Edit → Meet the maker

14Years in the studio

100%Plant-dyed & undyed fibres

1 of 60Typical run per piece

Studio favourite

The Ember stoneware carafe

Explore The Wardrobe 24 Naturally Dyed 11 Table & Ceramics 18 Carried Daily 15 Last of the Run 7

The Spring Edit

Pieces we’d keep for ourselves

Nine considered things from the current release. Each is cut, thrown or stitched in our studio and made only in the quantity shown.

New

The Marsh Overshirt

$168

Washed Belgian linen · Oat · 1 of 60

Ember Speckled Mug

$42

Wheel-thrown stoneware · Set of 2

Plant-dyed

Indigo Wide Trouser

$152

Hand-dyed organic cotton · 1 of 45

Field Serving Bowl

$74

Stoneware · Honey glaze · 1 of 30

Final pieces

Clay Merino Scarf

$96

Brushed merino lambswool · 4 left

Saddle Card Wallet

$58

Veg-tanned leather · Patinas with use

New

Hollow Cable Jumper

$184

Undyed lambswool · Cream · 1 of 50

Oat Dinner Plates

$88

Stoneware · Set of 2 · Matte oat

Plant-dyed

Olive Market Tote

$64

Hand-woven jute · Walnut-dyed · 1 of 40

The maker · Est. 2011

From a Galway kitchen table to a working studio.

Marrow & Flint began as a wardrobe rebellion. Tired of clothes that pilled after a season and bowls that chipped in a month, our founder Ines Calder started cutting her own linen on a kitchen table and firing her first mugs in a borrowed kiln.

Fourteen years on, not much has changed in spirit. We still dye with madder root, walnut husk and indigo. We still keep runs short — most pieces are made fewer than sixty at a time — so each one gets the attention it deserves. Nothing here is designed to be replaced.

Ines Calder Founder & lead maker

How we work

A studio, not a factory

Three commitments we’ve held since the first run — and won’t compromise on as we grow.

Plant-dyed by hand

Colour comes from madder, walnut and indigo vats in our own dye room — never synthetic baths. Every batch is a little different, and we think that’s the point.

Made to outlast trends

We design for a fifteen-year wardrobe, then back it with free mending for life. Send a worn piece back and we’ll repair it rather than replace it.

Honest, traceable runs

Each piece carries the run number and the name of the person who made it. No anonymous supply chains — just a small team you can actually email.

The Slow Letter

Dispatches from the studio bench

One thoughtful note a month: new releases before they go public, dye-room experiments, and the occasional kiln story. No noise, easy to leave.

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Quiet things,honestly made.